OK Computer - Wikipedia, the free encyclopedia. OK Computer is the third studio album by the English alternative rock band Radiohead, released in 1. Parlophone and Capitol Records. OK Computer was the first self- produced Radiohead album, with assistance from Nigel Godrich. Radiohead recorded the album in Oxfordshire and Bath between 1. St. The band made a deliberate attempt to distance themselves from the guitar- oriented, lyrically introspective style of their previous album, The Bends. OK Computer's abstract lyrics, densely layered sound and wide range of influences laid the groundwork for Radiohead's later, more experimental work. Upon the album's delivery to Capitol, label representatives lowered their sales estimates, deeming the record uncommercial. Nevertheless, OK Computer reached number one on the UK Albums Chart and became the band's highest album entry on the American charts at the time, debuting at number 2. Billboard 2. 00. Four songs from the album. The album expanded Radiohead's worldwide popularity and has sold over eight million copies worldwide to date. OK Computer received considerable acclaim upon release and in subsequent years has been cited by listeners, critics, and musicians as one of the greatest albums of all time. The album initiated a shift away from the popular Britpop genre of the time to the more melancholic and atmospheric style of alternative rock that would be prevalent in the next decade. Critics and fans often comment on the underlying themes found in the lyrics and artwork, emphasising Radiohead's views on rampant consumerism, social alienation, emotional isolation, and political malaise; in this capacity, OK Computer is often interpreted as having prescient insight into the mood of 2. Background. Midway through the tour, Brian Eno commissioned the band to contribute a song to The Help Album, a charity compilation organised by War Child. The Help Album was to be recorded over the course of a single day, 4 September 1. We left feeling fairly euphoric. Please update to the latest version or switch to a recommended browser: Download Recommended! Download Recommended! Try the most powerful CMS theme designer on the planet. Build themes for your website or for sale. Works directly within your CMS. Create Amazing CMS Themes Without Coding. The most powerful Theme Design Environment. When you imagine the birth of your baby, we know that you have good intentions. You envision that magical moment when you gently rouse your partner from sleep. An exclusive Fortune City offer. Drag and Drop Site Builder; Personalized web address & email; Everything you need to get your site online; Only $1/year * Get Started. Life in the Australian Backblocks, by Edward S. Sorenson, free ebook. To create a more customized online experience, some of the ads you may receive on Microsoft websites and apps are tailored to your previous activities, searches and site visits. You're in control and here's. Singles: Flirt up your Life! Verkauf und Versand durch Amazon.de. Kostenlose Lieferung m On vous propose de venir vous d So after establishing a bit of a rapport work- wise, I was sort of hoping I would be involved with the next album. It was like the first mark on the wall. They sought to distance their new material from the introspective style of The Bends. Drummer Phil Selway said: . To do that again on another album would be excruciatingly boring. And I'm deliberately just writing down all the positive things that I hear or see. I'm not able to put them into music yet and I don't want to just force it. The stupid thing was that we were nearly finished when we'd move on, because so much work had gone into them. He said that Radiohead . I take up slack when people aren't taking responsibility. It's my job to ensure that they get the ideas across. At their label's request, they took a break from recording to embark on a 1. American tour in 1. Alanis Morissette, and performed early versions of several new songs. Yorke later said the song helped shape the direction of the rest of the album, and that it . Greenwood, comparing the mansion to previous studio settings, said it . Isolation allowed the band to work at a different pace, with more flexible and spontaneous working hours. We weren't given any deadlines and we had complete freedom to do what we wanted. We were delaying it because we were a bit frightened of actually finishing stuff. Something special happens when you're playing live; a lot of it is just looking at one another and knowing there are four other people making it happen. By Christmas, they had narrowed the track listing to 1. The album was mastered at the same location, and mixed over the next two months at various studios around the city. I start fiddling with things and I fuck it up .. I generally take about half a day to do a mix. If it's any longer than that, you lose it. The hardest thing is trying to stay fresh, to stay objective. It was at the core of what we were trying to do with OK Computer. The exploratory approach was summarised by Jonny Greenwood as . Critic Alex Ross said the lyrics . I'm just taking Polaroids of things around me moving too fast. The camera's not quite me. It's neutral, emotionless. But not emotionless at all. In fact, the very opposite.! That's a bit of a red herring. It's not a concept album but there is a continuity there. This audio sample contains a portion of the song's first verse. This audio sample is from the middle of the second section to the beginning of the first guitar solo. Problems playing these files? See media help. The album's opening track . The band sampled the drum track with a digital sampler and edited it with a Macintosh computer, but admitted to making approximations in emulating Shadow's style due to their programming inexperience. The song's references to automobile accidents and reincarnation were inspired by a magazine article titled . It's a contradiction mirrored in the culture clash of the music, with the 'real' guitars negotiating an uneasy stand- off with the hacked- up, processed drums. The unconventional structure was inspired by the Beatles' . The narrator speculates that, upon returning to Earth, his friends would not believe his story and he would remain a misfit. The lyrics were inspired by an assignment from Yorke's time at Abingdon School to write a piece of . It's a song for two people who should run away before all the bad stuff starts. The song climaxes with the entrance of drums and distorted bass run through a fuzz pedal. Jonny Greenwood plays his guitar part in a different time signature to the other instruments. O'Brien said the song was influenced by Phil Spector, a producer and songwriter best known for his reverberating ? If the bottles were hung from the ceiling with string, and the floor caved in, and the only thing that kept everyone up was the bottles? It's also about an enormous fear of being trapped. We're bombarded with sentiment, people emoting. Feeling every emotion is fake. Or rather every emotion is on the same plane whether it's a car advert or a pop song. It is the hum of a world buzzing with words, one of the messages seeming to be that we live in such a synthetic universe we have grown unable to detect reality from artifice.? Or people selling arms to African countries, employing slave labour or whatever. You just write down 'Cattle prods and the IMF' and people who know, know. This audio sample is from the beginning of the second chorus to the guitar solo. Problems playing this file? The string section, composed by Jonny Greenwood and written for 1. Krzysztof Penderecki's Threnody to the Victims of Hiroshima. Literally skull- crushing. I used to work in a mental hospital around the time that Care in the Community started, and we all just knew what was going to happen. And it's one of the scariest things to happen in this country, because a lot of them weren't just harmless. It seemed to add to the mood. Some lines refer to rural. All this stuff is getting buried, the debris of our lives. It doesn't rot, it just stays there. That's how we deal, that's how I deal with stuff, I bury it. O'Brien's guitar is as soothing as balm on a red- raw psyche, the song rendered like a bittersweet child's prayer. Sam Taylor said it was . It has become a song with space. It was really obvious to have 'Tourist' as the last song. That song was written to me from me, saying, 'Idiot, slow down.' Because at that point, I needed to. So that was the only resolution there could be: to slow down. The motif of two stick figures shaking hands, repeated on the compact disc, was described by Yorke as symbolising exploitation. The title stuck with the band; according to Jonny Greenwood, . It's to do with standing in a room where all these appliances are going off and all these machines and computers and so on .. Up until that point, I'm a bit of a whirlwind. Yorke explained the image as emblematic of exploitation: . That's what it means to me. All the artwork and so on .. It was all the things that I hadn't said in the songs. Uncut critic David Cavanagh said the use of e non- sequiturs created an effect . The liner notes contain the full lyrics, rendered with atypical syntax, alternate spelling. They weren't really into it. At that point, we got the fear. How is this going to be received? I don't really know why it's so important now, but I'm excited about it. The label took full- page advertisements in high- profile British newspapers and tube stations with lyrics for . That's our focus, and we won't let up until they're the biggest band in the world. In addition to CD, the album was released as a double- LP vinyl record, cassette and Mini. Disc. The album debuted at number one on the UK, where it held for two weeks. It stayed in the top 1. I was the first person to tire of it, then six months later everyone in the band was saying it. Then six months after that, nobody was talking any more. Both singles charted in the UK top 1. Also considered, but scrapped, were plans for trip hop group Massive Attack to remix the entire album. Critics in the British and American press generally agreed that the album was a landmark and would have far- reaching impact and importance, and that its experimentalism made it a challenging listen. According to Footman, . Pepper's Lonely Hearts Club Band, had so many major critics agreed immediately, not only on an album's merits, but on its long- term significance, and its ability to encapsulate a particular point in history. In The New Yorker, Alex Ross praised its progressiveness, and contrasted Radiohead's risk- taking with the musically conservative . This band has pulled off one of the great art- pop balancing acts in the history of rock. Robert Christgau from The Village Voice said Radiohead immersed Yorke's vocals in . It is easy to be impressed by, but ultimately hard to love, an album that luxuriates so readily in its own despondency. The day before the winner was announced, oddsmakers had given OK Computer the best chance to win among ten nominees, but it lost to New Forms by Roni Size/Reprazent.
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